Skip to main content

The Concerts: 2006

So 2006 eventually came a'callin', the first year since 1991 that I didn't have some sort of record store affiliation. Amazing to think that working at record stores was some part of my life for fifteen years, even before I started to attend concerts on the regular. Plenty of good shows in '06, such as:

The National / The Cloud Room [Intersection, Grand Rapids 3.23]
Electric Six [Magic Stick 4.1]
Editors / Stellastarr* [Magic Stick 4.13]
Coachella Music & Arts Festival [Empire Polo Field, Indio, CA 4.29/4.30]
Secret Machines [Magic Bag, Ferndale 5.14]
Movement: 06 [Hart Plaza, Detroit 5.29]
Intonation Music Festival [Union Park, Chicago 6.24/6.25]
Gnarls Barkley / Peeping Tom [State Theater, Detroit 8.7]
Steely Dan / Michael McDonald [DET Energy Music Theater 9.2]
Lindsey Buckingham [Emerald Theater, Mt. Clemens 10.22]
Mobius Band / Baby Dayliner [Intersection, Grand Rapids 10.23]
Electric Six [St. Andrew’s Hall 11.4]

As I examine the list, I can't help but think that perhaps my E6 fanaticism is a bit strong, but I apologize for nothing when it comes to Dick Valentine. I remember that The National were intense but still not reaching their full potential; I remember hating myself for liking the debut from Editors so much; I remember being underwhelmed at Movement '06, the newer iteration of the Detroit Electronic Music Festival.

Lots of fun seeing Gnarls Barkley and the total musical genius that is Lindsey Buckingham, as well as Coachella and the Intonation Fest, which ended up being crushed by the Pitchfork Fest which debuted in '06 as well. And after wanting to punch every stinking second-home-having pot-smoking Prozac-using fat-and-pasty sing-along Steely Dan "fan" around me, I told myself to always remember that anger and to never see them live again. And I wish I would have listened to myself, but those were future days.

Comments

Popular posts from this blog

"The Silver Gun" by Robert Palmer (1983)

I mean...Urdu? Seriously, Urdu . On an already eclectic and worldly album -- Pride , from 1983 -- "The Silver Gun" closes a chapter in Robert Palmer's career by singing a song about a horse in a language spoken daily by over 100 million people. The liquid bass line and propulsive electronics set out a bedrock for Palmer to ping phrasings rather out of place in Western music, askew astride even the peripatetic minimalism of the rest of the record. Somehow, in the middle of Michigan's Appalachia, I had this on vinyl a few years before the CD era officially commenced. It was an album of effort -- even the cover, a pointillism-and-bronze work, had Palmer's head barely above the water -- but the stitches didn't show to my pre-adolescent eyes and ears. In a career marked by zigs and zags, Pride and "The Silver Gun" were most certainly Other, and for a kid that felt like he didn't belong much of anywhere, it was nice to have those discrete feeling...

Some 2024 Listening Pleasures

It started with a gift of two JBL Control 25 speakers, and by "gift" I mean "borrowed" -- a.k.a. "will never return" -- from an obsolete tech detritus pile at work. I may have snagged more than two gifts, of course, but the raw footage proving such a claim remains elusive. And after installing the JBL speakers into the upper corners of the music room, and after installing speaker stands for the rear speakers I already had, and after making the hard choice between a big-ass bean bag and a comfy leather recliner to properly center myself in the audio field (R.I.P., big-ass bean bag), there was only one missing piece: the Apple TV 4K unit. So for me, 2024 was the year I streamed a lot of music in Atmos through Apple Music, surrounded by new tunes and old bops in thrilling new dimensions. Some might say you don't need surround sound, 'cos the two ears + two speakers modality has been dandy for a while now, but that's like saying you don't need ...

"Lost" pre and post

So the season five finale of Lost came and went last night, two hours of riddles, questions asked and posed, and a few genuine "WTF?" moments here and there. In other words, it reaffirmed Godhead status for me, and now I'll have to wait until 2010 to see the sixth and final season wrap up some of the mysteries. Here's what I wrote before seeing last night's capper: My assumptions are that the atomic bomb will detonate, causing the flood of electromagnetic energy that the concrete slab at The Swan will attempt to contain. Furthermore, the energy will push the time-displaced people ahead to the future, where they will band together to save the island from the newest plane crash survivors, who are most likely connected to the original '50s military presence in some fashion. People will die and stay dead, and some people will die and stick around. And there's a great possibility that everything I've conjectured won't happen, either. The fifth seaso...