Every time I've taught my Contemporary Film class, I've found at least one or two students who don't seem to grasp and/or enjoy the exploration of implicit meaning in films. The idea that symbolism and latent content percolates beneath the veneer of narrative (or, in some cases, is the narrative) just sits wrong to those folks for some reason; I can even remember a student from many years ago in a class I taught on Stanley Kubrick asking me why films had to mean anything. (He plagiarized a final project and failed the course.) I was reminded of that student after reading about the upcoming film Room 237 , a documentary covering some rather interesting interpretations of the meanings potentially contained within The Shining . In general, film criticism over the decades has shifted from a more modernistic and canonical approach -- one of objective content knowingly delivered by the filmmaker with full intent and purpose -- to the more recent postmodernist perspective, whi...