In the past two weeks, I finished Doctor Sleep (the Stephen King book) and the director's cut of Doctor Sleep (the film written and directed by Mike Flanagan, who also did SK's Gerald's Game for Netflix in 2017). While I was interested in both just for entertainment value -- anything to distract from the rank shitshow of everyday life, right? -- I was also prepping for a section of Film & Literature at NCMC that was entirely focused on Stephen King. Sadly, there weren't enough students for the course to run, but I'm still thinking of how I was going to deliver the course. In general, Stephen King seems to hit some form of six major themes in his work. And while looking at just those themes in his stories would be interesting enough, the extra dimension is to see how they get translated to film, what is kept and what is jettisoned as King on the page makes it to the stage. Aside from the darkly comic coked-out phantasmagoria of 1986's Maximum Overdrive ...